It’s next to impossible to capture the mood, movement, and music of the Choreographer Showcase if you weren’t fortunate enough to see Wyvern talent on display this past Friday in the Roberts Theater. No one knew quite what to expect but only to anticipate a first-class program conceived by Director of Theater Kyle Reynolds whose aim is to transform the performing arts curriculum into a true triple threat one - that’s singing, dancing and acting - in theater parlance. In building the dance curriculum, a Marley floor was recently installed on the stage.
Reynolds hired four top-notch choreographers - Mary Cadorette-Daly, Avery Casasanta, Rosie Karabetos, and Geo Mantilla - to work with our students for ten weeks. These choreographers are working actors, Broadway performers, dancers, musicians, photographers, arts advocates, athletic dancers, ballerina, and street dancers.
The student-dancers performed five pieces, and Mantilla performed “No One Knows Me” and Karabetos performed “Do It Without You”. Prior to the show, the students viewed a news clip from this summer of a newscaster ribbing Prince William’s son’s interest in ballet. Reynolds choreographed “The Appropriate Response,” a piece that critiqued the newscaster’s view head-on, showing how limiting the media can be to young man’s self-expression. In the number, Joey Fago ’20, sat blindfolded on a chair while four dancers wearing costumes of newsprint fabric surrounded him. Towards the end of the piece, Fago removes the blindfold off and dances dramatically in a powerful performance. Reynolds said, “I knew I wanted to respond to that newscaster using dance. It was the only way I could appropriately respond. There are so many articles about how boys shouldn’t be dancing and how it’s toxic so when we have someone as talented as Joey, I wanted to make sure we utilize his talents and take a stand.”
“Love and Hate,” choreographed by Mantilla, showed racial injustices in a respectful way. Cadorette-Daly’s beautiful work to “Bridge Over Troubled Water demonstrated friendship, bridging gaps, and lending a hand to those who need it. Casasanta’s “Light Company,” a technical piece, showcased the Merce Cunningham technique, in a light, upbeat manner that featured each dancers’ individuality, especially Kate Beck’s ’21 extraordinary expression and great precision. The piece de resistance of the showcase was the finale “Awoo!” by Karabetos, a high energy number with a stand-out solo by Frank Pu ’23.
“Rosie is so smart about the way that she choreographs from a human perspective. She’s able to get out each kids’ perspective of their own passion. When I would watch her rehearsals, I was consistently amazed by her focus on the kids. It was all about them. ‘What are you feeling right now, and how can you add that to the dance?’” said Reynolds
“Not every independent school has this opportunity to bring in professional choreographers and work with kids. The showcase was truly a piece of art that was puzzled together by kids who have never done dance before in their lives to kids who dance 40 hours a week. To get that opportunity at KO is new and ground-breaking for us. Some of these kids I’ve never seen them happier as when they are dancing.”
"The Appropriate Response" by K. Reynolds
Dancers: Joey Fago, Sadie Margolis, Alyssa Temkin, Maggie Eberle, Danielle James
"Love and Hate" by G. Mantilla
Dancers: Frank Pu, Danielle James, Olivia Pear, Samhita Kashap
"Lyrical Jazz Piece" by M. Cadorette-Daly
Dancers: Remy McCoy, Sadie Margolis, Madeline Pelletier, Sneeha Ram
"Light Company" by A. Casasanta
Dancers: Joey Fago, Kate Beck, Sadie Margolis, Danielle James
Dancers: Frank Pu, Joey Fago, Kate Beck, Sadie Margolis, Maggie Eberle, Alyssa Temkin, Danielle James, Emily Lemkuil